Ako MASHINO

増野亜子

AFFILIATION

Part-time lecturer at Tokyo University of the Arts, Meiji University, and other universities

ACADEMIC FIELD & RESEARCH　

Ethnomusicology, Southeast Asian Performing Arts, Gamelan Performance

RESEARCH FIELD

Southeast Asia (Indonesia)

MAJOR WORKS

  • Koe no Sekai wo Tabisuru (Traveling the World of Voice) [in Japanese] (Ongaku no tomo sha, 2014)
  • Minzokuongakugaku Juuni no Shiten (12 Viewpoints of Ethnomusiclogy) [in Japanse]” (Edited by Tokumaru Yoshihiko, Ako Mashino, Ongaku no tomo sha, 2016)
  • “The Body Visualizing the Music: Seeing and Showing Body Movement in Balinese Gender Wayang.” The World of Music, 9(1): 47–66 (2021).
  • “Being Muslim-Balinese: The Music and Identity of the Sasak Community in Eastern Bali.” Music and Marginalisation: Beyond the Minority–Majority Paradigm, Senri Ethnological Studies 105, edited by Ursula Hemetek, Inna Naroditskaya and Terada Yoshitaka. Osaka: National Museum of Ethnology, pp. 81–97 (2021).

RELATED WEBSITE

Photographs and captions related to my research

Balinese traditional shadow puppet performance by Balinese and Japanese performers (Wayang Kulit)
before the COVID-19 pandemic.
December 22, 2019, Tokyo, Studio Lirica
Photo by Yasuko Takeuchi
On-stage rehearsal for a concert during the COVID-19 pandemic
July 11, 2020, Bunkyo Civic Hall in Tokyo
Photo by Haruko Komoda
A scene from the Otonomori Gamelan Studio Online Streaming Event
2020, Tokyo
Photo by Yukie Miyamoto